Walk into any classroom today whether it be one of privilege or high risk and you will hear a repeated message of loneliness in the social media age. So ‘where are we leading the next generation?’ And ‘what are we reaching for?'

Suspended in post-adolescence, twenty-something Sarah (Kristine Cofsky) alternates between hedonism and ennui. Urged on by her sister, Sarah awakens to the possibility that life could be different- and that it might not be so bad.

Upstanding community leader Nils has just won an award for "Citizen of the Year" when he learns the news that his son has died of a heroin overdose. Suspecting foul play, Nils begins to investigate, and soon finds himself at the center of an escalating underworld gang war between Serbian drug dealers and a sociopathic criminal mastermind known only as “The Count.”

Filial Piety Award embodies the paradox of filial piety by absurdly depicting a boy who takes part in the competition of "the most considerate student." This film does not presuppose a position nor provide any value judgment. Filial piety is within our heart, and, with no regret, we will become children of filial piety for our parent.

The 95-year-old director shot the film in his hometown of Ishiuchi, Hiroshima. The story is based on a teacher he had when he was a child.

The Psammead is an 'it', an ancient, ill-tempered sand-fairy with a spider-shaped body, bat-like ears, and snail-like eyes. It is grumpy but has the power to grant one wish a day, which must be made before sunset. Five siblings—Cyril, Anthea, Robert, Jane, and infant Hilary—encounter It and experience the highs and lows of frivolous wish-making.

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Through a passionate mixture of private videos, uncensored interviews and school-day adventures, the children of New Orleans' notoriously violent Central City neighborhood have created a riveting portrait of childhood at the heart of an ongoing American crisis. No one set out to make a film: six months after Katrina, filmmakers Elizabeth Wood and Gabriel Nussbaum moved to New Orleans with a free art program, devised to help students creatively express their thoughts in response to the chaos of the storm. Their documentary-filmmaking class at Singleton Charter School at the local YMCA invited students to take video cameras home, and tell their stories on their own terms. The results quickly transcended the classroom.

Japanese life during the past thirty-five turbulent years is depicted in this film through the eyes of two police detectives. One is Henmi, who comes to Tokyo in 1926 from faraway Kagoshima to join the Tokyo police force. His closest friend is Nihei, a farmer's son from Tohoku who becomes the steadying influence on headstrong Henmi.

Divorced for two years, Nancy Caruthers, asks her new lover, Paul Adams, a medical student, to move in. She has custody of her two daughters, but this new living arrangement prompts her ex-husband, Richard to sue for custody, based on moral grounds. He does not really want the girls to live with him, but his strict religious background will not allow him to stand by and let them be raised in an atmosphere of 'sin.'